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While the cultural and sociological landscape of White Noise is situated primarily in a postmodern world, the town of Blacksmith, the city that the Gladney’s call home, seems to occupy a space between modernism and postmodernism. The intrusion of technology, a factor which is often attributed with the end of modernism and the beginning of postmodernism, in Blacksmith is described by Jack.
In fact, White Noise takes many cues from the non-literary commodities of consumer culture and marketing, like, for example, Coca-Cola’s 1980 slogan “Coke is it,” which appears directly in the text. The greatest influence on White Noise, then, is not postmodernism or other pieces of literature, but the rampant commercialism of the 1980s.
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White Noise Death is probably the most feared word in the English language. Its undesired uncertainty threatens society’s desire to believe that life never ends. Don DeLillo’s novel White Noise tells the bizarre story of how Jack Gladney and his family illustrate the postmodern ideas of religion, death, and popular culture. The theme of death’s influence over the character mentality.
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Essay White Noise: Text And Criticism. DeLillo, Don, and Mark Osteen. White Noise: Text and Criticism. New York, NY: Penguin Books, 1998. Print. This criticism contains the complete text of White Noise along with several critics’ opinions on the novel at the end. Critics such as John Frow, John Duvall, and Albert Mobillo address the diction, themes, and metaphysics throughout White Nosie.